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AnnouncING THE 53rd Season of THE Visiting Artist Series

8/19/2026

 
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The 2026–27 season celebrates American stories, sounds, and movement through artist residencies in Quad Cities schools and community spaces

As communities across the country mark the 250th anniversary of the United States, Quad City Arts will celebrate the 53rd season of its Visiting Artist Series with an exploration of the stories, sounds and cultural traditions that have taken shape in America.

From Indigenous storytelling traditions that long predate the founding of the United States to blues, jazz, hip-hop and breaking, the 2026–27 season brings together artists working in forms deeply connected to the American experience. Through performances, workshops and conversations in schools and community spaces throughout the Quad Cities, visiting artists will share where these traditions come from, how they have evolved and how artists continue to carry them forward today.

The season also makes room for a distinctly American collision of influences: a punk-rock polka band from Ohio.

“There’s probably nothing more American than a punk-rock polka band out of Ohio,” said Quad City Arts Executive Director Ben Gougeon. “What I love about this season is that students won’t just learn about these traditions in a classroom. They’ll meet the artists, hear the music, see the movement and experience these traditions firsthand. We're also in the process of building some deeper, more impactful residency experiences that will resonate far beyond this season. That kind of connection is what the Visiting Artist Series has been creating in the Quad Cities for 53 seasons”

The Visiting Artist Series is built around bringing professional artists directly to people throughout the Quad Cities. During each residency, artists spend several days performing and engaging with students in schools while also connecting with audiences at community centers, libraries, and senior communities.

These experiences give students opportunities to meet working artists, ask questions, and encounter cultural traditions they may not otherwise experience firsthand. They also demonstrate that the art forms students encounter today have histories — shaped by generations of people, places and communities — and that those traditions continue to change as new artists contribute their own voices.

Community engagements carry those conversations beyond the classroom, creating opportunities for people of different ages and backgrounds to experience professional artists together. By bringing artists into spaces people already know and use, the Visiting Artist Series helps make cultural experiences accessible throughout the region.

2026–27 Visiting Artist Series Lineup

Frank Cesario | Puppetry and Puppet Building | Aug. 14, 2026

The season began with a special partnership with Fresh Films featuring puppeteer, puppet builder, and puppet wrangler Frank Cesario. Cesario led a hands-on workshop with participants in TMBC Lincoln Center’s Camp Amp, sharing the creativity and craftsmanship behind bringing puppet characters to life. His credits include PBS KIDS’ Donkey Hodie, and he served as puppet wrangler and secondary puppeteer for the Fresh Films feature “Groundhog Gary: 6 More Weeks,” which premiered at the Alternating Currents Festival.

Leland Faulkner | Native American Storytelling | Sept. 21–25, 2026
Faulkner brings storytelling rooted in Indigenous traditions to the Quad Cities, using story and performance to explore heritage, imagination, and the ways knowledge and culture are carried across generations. His residency begins the season’s exploration of American traditions with stories connected to the people and cultures whose histories on this continent precede the United States itself.

Faulkner will present a special public performance of his one-man show Dreamcatcher at the Putnam Museum on Friday, Sept. 25. Times and ticket information to be announced, and will be available through www.putnam.org.

Dusky Waters | New Orleans Blues and Roots | Nov. 10–13, 2026
Rooted in the musical heritage of New Orleans and the American South, Dusky Waters connects audiences with blues and roots traditions shaped by Black American history, community, and generations of musicians. The residency explores the relationship between music and place and the lasting influence of these traditions on American music.

Brass Queens | All-Female Jazz Brass Band | Feb. 9–12, 2027
Brass Queens brings the sound and energy of the American brass-band tradition into the present. The all-female ensemble draws on jazz and brass traditions while showing how contemporary musicians continue to reinterpret and expand them.

Brass Queens will also present a public performance to be announced at a later date.

Chardon Polka Band | Punk-Rock Polka | April 13–16, 2027
Ohio’s Chardon Polka Band takes a tradition brought to America by European immigrants and gives it an unmistakably contemporary American twist. By combining polka with the energy of punk rock and influences from across popular music, the group offers a playful example of what can happen when cultural traditions meet, change and take on new identities.

Movement Revolution Dance Crew | Hip-Hop and Breaking | May 10–14, 2027
Movement Revolution Dance Crew closes the season with hip-hop and breaking, art forms born from Black and Latino communities in New York City and now practiced around the world. Through movement and performance, the crew introduces audiences to the creativity, expression and community at the heart of hip-hop culture.

Taken together, the 2026–27 season offers an opportunity to consider America at 250 through the artists, communities and traditions that have shaped its culture. Indigenous storytelling, blues, jazz, immigrant musical traditions, hip-hop and breaking each tell a different part of that story. The Visiting Artist Series brings those traditions into direct conversation with Quad Cities students and residents while celebrating the artists who continue to shape what American culture looks and sounds like today.

Now entering its 53rd season, Quad City Arts’ Visiting Artist Series has a long history of connecting nationally and internationally recognized artists with people throughout the region. By placing artists directly in schools and community settings, the program gives thousands of area residents opportunities to experience professional artists where they learn, work and gather.

Scheduling is now open for the 2026–27 Visiting Artist Series. Teachers, school administrators, and community sites are invited to request performances, workshops, and other artist experiences for their schools. Scheduling requests should be submitted by Sept. 4 to be considered for the 2026–27 season.

For more information about the Visiting Artist Series and the 2026–27 season, visit Quad City Arts at quadcityarts.com.

The 2026–27 season of the Visiting Artist Series is powered by Quad City Arts, and supported by Scott County Regional Authority, National Endowment for the Arts, and the Rock Island Community Foundation.
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Public Art Comes to Life During Alternating Currents

8/12/2026

 
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Brian Wentworth
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Brian Wentworth — My Crystal Portal, 1737 Grant St., Bettendorf

​This week, walls across the Quad Cities are becoming canvases as Mural Fest returns as part of Alternating Currents, the annual downtown arts festival bringing music, film, comedy, visual art, and live performances to communities throughout the region.

Quad City Arts is proud to partner with Alternating Currents to bring Mural Fest to life, giving festivalgoers the opportunity to watch professional artists create large-scale murals in real time. Instead of only seeing the finished piece, visitors can stop by throughout the week and watch each mural evolve from a blank wall into a lasting work of public art.

Mural Fest is a collaborative effort that brings together the strengths of Downtown Davenport Partnership and Quad City Arts.

Downtown Davenport Partnership, Downtown Rock Island Association, and the Downtown Bettendorf Organization help to activate downtown spaces, connect businesses, and build the larger festival experience. Quad City Arts leads the artist engagement and public art side of the project—from recruiting muralists and coordinating artist logistics to helping artists navigate the process of creating large-scale work in public spaces.

It's work that builds on decades of Quad City Arts' experience commissioning and managing public art projects throughout the region.

This year's Mural Fest features four artists creating new works throughout the Quad Cities:
  • Brando Punk — Bent River Brewing, 512 24th St., Rock Island
  • Atlanta Dawn — Klemme's Motorsports, 301 E. 3rd St., Davenport
  • Andray Kravtsov — Trash Can Annie / Ragged Records, 311 E. 2nd St., Davenport
  • Brian Wentworth — My Crystal Portal, 1737 Grant St., Bettendorf

The mix of local and visiting artists is an important part of Mural Fest. It gives artists opportunities to meet one another, exchange ideas and techniques, build relationships, and learn what's happening in the broader public art community. At the same time, visiting artists bring new styles and perspectives to the Quad Cities and help showcase our region as a place that values creativity and invests in its public spaces.

One of the things we love most about public art is its accessibility. You don't need a ticket, an invitation, or even plans to see it. Public art meets people where they already are.

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Brando Punk
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Brando Punk — Bent River Brewing, 512 24th St., Rock Island

​Murals can turn an overlooked wall into a landmark, give a neighborhood a stronger sense of identity, and encourage people to explore parts of their community they may not otherwise visit. They become places people photograph, share, talk about, and remember.

That impact extends beyond the artwork itself. Public art can bring people into our downtowns, encourage visitors to spend time at nearby shops and restaurants, and contribute to places that feel vibrant, welcoming, and distinctive.

And that's what makes Mural Fest such a great fit for Alternating Currents: the creative process becomes part of the festival experience.

We encourage you to stop by the mural locations throughout the week, meet the artists, watch their work take shape, and then come back to see the finished pieces. Whether you're an art enthusiast or simply curious about how a mural gets made, Mural Fest offers a front-row seat to creativity happening right here in the Quad Cities.
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And when the festival is over, the murals stay—adding another chapter to the growing collection of public art that helps tell the story of our region.

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Atlanta Dawn
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Atlanta Dawn — Klemme's Motorsports, 301 E. 3rd St., Davenport

We encourage you to stop by the mural locations throughout the week, meet the artists, and watch their work take shape. Come back more than once—you'll get to see blank walls transform into works of art that will remain part of our communities long after the festival ends. Mural Fest gives you a front-row seat to the creative process and a chance to experience public art as it's being made.

And while you're out, keep exploring everything Alternating Currents has to offer. Get out, wander a little, and let the art guide you. There's something new around every corner.

Aside from Mural Fest, don't forget to attend our gallery opening and Block Party kicking off the festivities on Thursday, August 13! And THREE SILENT DISCOS! Check out our events page: 

Find out more about Alternating Currents and download the app for the full schedule! www.alternatingcurrentsqc.com
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Andray Kravtsov
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Andray Kravtsov — Trash Can Annie / Ragged Records, 311 E. 2nd St., Davenport

​Photography courtesy of AJV Original - Wedding & Special Events Photographer - Antonio Varela
www.ajvoriginal.com

Continuing Our Work Together: Welcoming Ben Gougeon as Executive Director

8/10/2026

 
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​ROCK ISLAND, Ill. — August 10, 2026 --
The Quad City Arts Board of Directors is pleased to announce the appointment of Ben Gougeon as the organization’s next Executive Director, effective August 10, 2026.

Gougeon brings more than 30 years of experience working in the arts, both as a theatre and film artist and in leadership and administrative roles with nonprofit organizations in Illinois, Iowa, Michigan, and New York. His professional background also includes management roles in the hospitality and retail industries, bringing additional experience in operations, customer service, and team leadership. As Executive Director, he will lead Quad City Arts in advancing its mission to enrich the quality of life in the Quad Cities through the arts by supporting artists, expanding arts education, and creating meaningful public art experiences throughout the region.

The Quad City Arts Board of Directors launched its search for the organization’s next Executive Director on May 21, 2026, beginning a comprehensive process to identify the organization’s next leader. Led by the Board’s Executive Director Search Committee, the search included outreach to qualified candidates, interviews, and thoughtful evaluation to identify a leader with the experience, vision, and collaborative approach needed to guide Quad City Arts into its next chapter.

The Board’s search committee sought a leader who would honor Quad City Arts’ longstanding mission while strengthening the organization’s capacity to serve artists, students, audiences, and communities throughout the Quad Cities. The appointment reflects the Board’s confidence in Gougeon’s ability to lead the organization with integrity, collaboration, and a commitment to our community.

“Throughout this search, our Board remained focused on finding the right leader for Quad City Arts—someone who shares our commitment to artists, education, and community partnerships,” said Jenni Swanson, President of the Quad City Arts Board of Directors. “We are excited to welcome Ben as our next Executive Director and are confident he will build upon the strong foundation created by our staff, volunteers, board members, artists, donors, and community partners. Together, we look forward to expanding opportunities for the arts and continuing to serve the Quad Cities with creativity, collaboration, and excellence.”

Gougeon said he is honored to serve the organization and community in an expanded role.

“Quad City Arts has a remarkable history of connecting people through creativity and strengthening our communities through the arts,” said Gougeon. “In my previous role, I loved being able to serve as a connector and create partnerships with the many organizations doing necessary work throughout our region. I look forward to continuing to work alongside our talented staff, dedicated board members, artists, volunteers, donors, sponsors, and community partners to expand access to the arts and build upon the organization’s strong foundation. Together, we have an exciting opportunity to strengthen the impact of the arts throughout the Quad Cities for years to come.”

Prior to this appointment, Gougeon served as Events Coordinator and Director of Community Engagement at Quad City Arts, where he oversaw the Visiting Artist Series, Chalk Art Fest, Riverssance Festival of Fine Art, Metro Arts Youth Apprenticeship Program, Arts Dollars Grant program, and numerous public art initiatives, including the upcoming Tapestry installation in downtown Moline. He also served as host of Talking Art, a podcast produced in partnership with WVIK, where he helped share the stories of artists, arts organizations, and creative work happening throughout the region. His knowledge of the organization, relationships throughout the community, and commitment to the mission provide a strong foundation for continued growth and innovation.

Each year, Quad City Arts enriches the region through public art, arts education, exhibitions, performances, artist support initiatives, and Festival of Trees—its signature fundraising event that helps make arts programming possible throughout the Quad Cities. Through partnerships with municipalities, schools, businesses, and community organizations, Quad City Arts continues to make the arts accessible and impactful across eastern Iowa and western Illinois.

Celebrating the EveryChild Mural Dedication & Metro Arts Projects

7/7/2026

 
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Quad City Arts invites the community to attend the dedication of the new EveryChild mural on Friday, July 10, at 9:00 a.m. at EveryChild, 420 23rd St., Rock Island. 

Created by apprentices in Quad City Arts' Metro Arts Apprenticeship Program under the direction of lead artist Sarah Robb, the mural features paper cranes flowing from a radiant sunburst surrounding a parent and child. The artwork welcomes visitors to EveryChild's recently opened facility and reflects themes of hope, growth, and community. 

“EveryChild was proud to partner with Quad City Arts’ Metro Arts Apprentice Program to create this mural. Before moving to Rock Island, we were often known as the building with the mural in Moline. It became a recognizable symbol of who we are and the work we do in the community. As we established our new home, we wanted to create that same sense of identity and connection. We wanted people to see the mural and immediately know they had arrived at EveryChild. This building exists for the children and families we serve, and the mural is a reflection of the hope, resilience, and support that EveryChild provides every day” said Nicole Mann, President of EveryChild. 

The dedication celebrates one of several public art projects being completed through Quad City Arts' Metro Arts Apprenticeship Program, which runs from June 8 through July 23. The program provides paid summer employment opportunities that connect young artists with professional artists through mural creation, poetry, publishing, and public performance. Apprentices gain hands-on workplace experience, develop artistic and professional skills, build portfolios, and create work that has a lasting impact on the community, helping make the Quad Cities a more vibrant place to live. 

The community is also invited to celebrate the accomplishments of this year's apprentices at the annual Metro Arts Showcase on Thursday, July 23, at 6 p.m. in the TMBC Lincoln Center Auditorium, 318 E. Seventh St., Davenport. The free event will feature original artwork, poetry, and community projects created throughout the summer and offer the opportunity to meet the apprentices and experience firsthand how creativity is helping shape the next generation of artists and leaders in the Quad Cities. 

Ben Gougeon, Quad City Arts' Director of Community Engagement, credits Metro Arts with helping shape the careers of young artists, with many alumni going on to successful creative careers. "Metro Arts gives young people paid opportunities to develop artistic and professional skills while creating meaningful work for our community. Whether they pursue careers in the arts or another field, they're gaining valuable experience and leaving a lasting impact through public art and community partnerships. Nothing makes me prouder than seeing a Metro Arts alum leading creative projects of their own in the Quad Cities." 

​This year's program is made possible through support from the Illinois Arts Council, the City of Rock Island, the City of Davenport, the Brissman Foundation, the Davenport Noon Optimist Club, and the Morency Foundation. 
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Poetry Apprenticeship 
Poet and educator Aubrey Barnes returns for his fourth year as lead artist for the Metro Arts Poetry Apprenticeship. Participants spend the summer writing, revising, illustrating, and publishing original poetry that will be compiled into a professionally produced chapbook. Apprentices also develop public speaking and performance skills through community readings and performances, sharing their original work and building confidence as creative voices in the Quad Cities. 

Throughout the program, apprentices work collaboratively to refine their writing, explore new forms of creative expression, and gain firsthand experience in the publishing process—from developing original pieces to preparing them for print. The program culminates in the annual Metro Arts Showcase, where apprentices share their work with family, friends, and the community, celebrating a summer of artistic growth and achievement. 

By providing young writers with paid opportunities to create, perform, and publish their work, the Metro Arts Poetry Apprenticeship empowers participants to see themselves as artists and storytellers while strengthening the cultural fabric of the Quad Cities. 

Public Murals 
This summer, Metro Arts apprentices are creating three public art projects that will bring new murals to community spaces across the Quad Cities. Working alongside professional artists, apprentices gain hands-on experience in design, collaboration, and large-scale public art production while contributing artwork that celebrates local stories, organizations, and community identity. 

In addition to the newly completed EveryChild mural in Rock Island, lead artist Sarah Robb is guiding apprentices on a second project at The River's Edge, 700 W. River Drive, Davenport. Funded through the City of Davenport, the installation consists of six panels highlighting the fun, diverse programs and activities offered through Davenport Parks and Recreation. Completion of the panels is anticipated by July 10, with installation and dedication at a later date. 

For the first time, artist Amanda Stout is leading Metro Arts apprentices in creating two murals at the TMBC Lincoln Center, 318 E. Seventh St., Davenport. Located in the hallway outside the auditorium, the murals celebrate the influence and legacy of Black music and Black film. This project is supported by the Davenport Noon Optimist Club and the Morency Foundation and is scheduled for completion on July 22, with a dedication during the Metro Arts Showcase on July 23. 

Together, these projects demonstrate the power of public art to transform spaces, tell community stories, and provide young artists with meaningful opportunities to leave a lasting mark on the Quad Cities. 
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QUAD CITY ARTS ANNOUNCES 2026-27 PUBLIC SCULPTURE SEASON MAP

7/6/2026

 
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The Quad City Arts Public Sculpture Program just completed another year of installations, reflecting our commitment to fostering cultural engagement and enhancing the urban environment.

Quad City Arts has facilitated the leasing and installation of public sculptures in the Quad Cities since 2002. This year, our organization facilitated the installation of 32 sculptures in addition to 3 that remain on display from previous years. New sculptures were installed between May 28-June 18. Sculptures are chosen by committees representing each city or venue and are leased for one year from sculptors across the country. All the sculptures are for sale. Information on price can be found on the plaque at the base of each sculpture. All newly installed sculptures, along with permanent sculptures purchased from past exhibits, can be viewed on Quad City Arts’ website.

Public art transforms everyday spaces into places of discovery, conversation, and community pride. These sculptures invite residents and visitors alike to slow down, explore their surroundings, and experience art in unexpected places. They create landmarks that strengthen a community's sense of identity, support local businesses by encouraging people to spend more time in commercial districts, and make the Quad Cities a more vibrant and welcoming place to live, work, and visit.

The most exciting part of the process is watching a Hampton Cranes operator use their boom to lift a sculpture from an artist’s vehicle, hoist it high in the air, and skillfully bring it down gently onto a concrete pad, as directed by the artist who created it. The artist then drills holes into the concrete and secures the sculpture. (Hampton Cranes generously donates their services for the heaviest pieces.) Rock Island has leased 5 sculptures to enhance parks, libraries and the downtown area. The Moline Public Art Commission has chosen 5 sculptures that have been placed along 5th Ave. in Moline, plus one near the Kone Building. Bettendorf rented 12 sculptures to draw attention to local businesses, including 4 for the Geifman First Equity business park. The Downtown Davenport Partnership has chosen 6 sculptures to bring new interest to their collection of 10 permanent sculptures along 2nd Street between Western Ave. and Pershing. The City of Clinton joined the program in 2024 with the selection of 6 new sculptures each year. With positive feedback from the public, Clinton has purchased two bronze sculptures by James Haire for their public libraries and has leased 6 new sculptures installed near the riverfront.

We encourage everyone to share their experiences and interactions with the sculptures on social media using #QuadCityArts.
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Bettendorf, IA
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Be the Light Park
Lumenfly by Kirk Seese
This dragonfly is made from a delightful mix of new building materials, and antique metal parts.Repurposed fire extinguisher tanks and an antique head light make up the head and body of this oversized insect, while Plasma cut steel and CNC cut colored transparent polycarbonate make up the wings.The base is made from industrial plastic painted copper with rebar reeds.

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Faye's Field
Music Plays On by Tim Adams
The wonder of music weaves through generations and cultures. The notes circle and flow through and around us never ending but evolving with each passing generation. Older music transforms into newer melodies and the beat goes on. My inspiration for this piece comes from the role music has played in my life and the universal appeal of certain sounds, and songs.

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Bettendorf Public Library
Bloom by Hilde DeBruyne
Bloom is a contemporary sculpture in metal. It is part of the Botanical Series DeBruyne has been exploring. It is an organic abstraction of a flower. Flowers speak a universal language and are able to put a "smile" on people's face. 

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Bettendorf Community Center
Totem of the Inner Eye by Paul Bobrowitz
Totem of the Inner Eye by Paul Bobrowitz embodies a powerful synthesis of industrial material and spiritual symbolism. Fabricated in painted metal and rendered in a commanding red, the vertical form evokes a guardian figure both mechanical and sentient. The spiral crown functions as an “inner eye,” suggesting perception beyond the visible and awareness that radiates outward in quiet vigilance.

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Base of the I-74 multi-use path
Purple Coneflower by Tim Adams
The vibrancy of coneflowers catches our attention from mid to late summer. This perennial attracts pollinators, provides medicinal qualities, deep tap roots of 5-6 feet deep, and is drought resistant. These beauties remind that a deep foundation is the key to resilience and longevity.

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Build to Suit, Bettendorf
Impulse by David Zahn
Creating art has always been part of my life. The human form is often the center of my work, and the abstract elements of art are just as important to me as any subject matter I may be portraying. I strive to make pieces that have a timeless quality, contain strong aesthetics, and are a mystery for the viewer. Realism can be part of my sculptures and it is often blended with other forms to create an interesting, thought provoking image. I love the idea of a relic from another time or place and the magic of things unknown. It is a purposeful twist that some of my pieces are made to look futuristic, and appear as a relic from the past at the same time. The exciting thing for me is the evolution of my work over the years. New themes and motifs arise, past ideas resurface in new ways, and the relationship with the materials grows richer and the images more personal.

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Waterfront Convention Center
Guardian of Many Souls by Paul Bobrowitz
Guardian of Many Souls by Paul Bobrowitz presents a dual-faced figure standing in vigilant balance between shelter and cosmos. One arm bears a small house, an intimate symbol of refuge, while the other supports an open sphere filled with cut-out human forms, suggesting a world carried lightly yet deliberately. The figure’s doubled visage evokes watchfulness in opposing directions, holding past and future, private and collective.Fabricated in painted metal, the sculpture transforms industrial material into a totem of community and responsibility. It speaks to the role of the individual as both protector and participant guardian not of one, but of many.

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Veteran's Memorial Park
Heart of Iowa by Anna Modeland
Heart of Iowa speaks for itself. This sculpture illustrates the beauty within this state. The bold, metallic colors represent the richness we have. Not richness of monetary value, necessarily, but the richness we raise and grow here. From our kids to our crops, we put our hearts into everything. Not only are our communities the beating heart of Iowa, but our state is the central heart of the country. This place is our heart; this place is our home. I want everyone who sees this sculpture to feel like the hearts beat and pump through the sculpture, so the hearts are extended from the state on each side, and the entire upper half of the sculpture manually spins when pushed.

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Geifman First Equity
Long Way Home by Nathaniel Pierce
I love the surprise that we get from seeing out of the ordinary things in ordinary places.That moment of surprise helps bring awareness to our surroundings and creates an opportunity to reimagine our sense of place. The relationship that these pieces have with the environment communicate to the viewer. It is this connection that helps activate our imagination, which helps us see the world differently. In my most recent work I have been exploring the idea of unity and how we learn to feel connected through new perspectives.

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Geifman First Equity
The Catch by Anna Modeland
I chose this piece because, as the national bird, the eagle embodies the strength and freedom of our country, especially through these tough times. It’s a reminder that through war, hatred, and racism, and a panic inducing pandemic, we can all still stand tall, spread our wings and choose to rebuild this place that we call home.

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Geifman First Equity
Bench, Please by Ben Pierce
Wanting to create a sculpture that was both true to my design aesthetic, functional and identifiable as a bench so people would instantly recognize and utilize the design, hopefully elevating the normal bench sitting experience by at least a little.

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Geifman First Equity
Twist by Michael Young
When designing sculpture, I always remember that each viewer will have an individual, emotional response to the piece. Because I want that response to be positive, I frequently use birds in my work – both as imagery and as symbol. The idea of birds swooping up and taking flight is incredibly uplifting, lending an inspirational feel to the sculpture.
Clinton, IA
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City Hall parking lot
Selective Memories by Chris Wubbena
As an artist, I fluctuate between interdisciplinary ways of working; at times, focusing on public art with the fabrication of outdoor landmarks; at other times, by constructing artifacts within found material compositions and multi-media installations. Such fluctuation allows for a wide range of expressive capabilities, stretching from the creation of lasting monumental sculptures to transitory moments. The reference of historical and geologic documentation is often apparent in my work, whether through sedimentary layering represented in sculptural form, the accumulation and erosion of text and imagery across surfaces, or the melding of seemingly disparate conglomerate materials and objects. 

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Riverview Park
Variation on a Circle of Fifths by Isaac Kidder
Variations on a Circle of Fifths, winner of the 2022–23 ArtStreet Kids’ Choice Award (Hopkins, MN), is an interactive musical installation featuring 12 tone pipes representing the Western chromatic scale. By tapping the levers, viewers can play a wide range of melodies. The sculpture explores the harmonic relationship between the tonic and dominant—the first and fifth notes of a scale—common across many music styles. This relationship is expressed both through sound and through intersecting lines on the wooden base, forming a colorful, symmetrical design. The installation invites everyone to play, explore, and learn about music theory.

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Pavilion on Riverfront bike path near Sawmill Museum
Hydraulic Jump 1 by Kristin Garnant
This towering sculpture takes its title from a phenomenon in the science of hydraulics. When a fast moving liquid enters a zone of slow moving liquid, the fast flow is abruptly slowed and increases in height. At high enough speeds the front will break and curl back upon itself. The tension steel experiences when bent back upon itself is similar to this undulation and wave action. A series of waves have been stacked to form this flowing, fluid work.

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Showboat on Riverfront
Autumn Melody by James Haire
Years ago I did a drawing of three children playing musical instruments. Autumn Melody is the first of these three children. A young girl plays a violin.

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Farmer's Market Pavilion
Time to Fly by Kyle Fokken
The title of this piece references the saying ‘when pigs fly’ meaning something will happen if only the impossible happens first. This piece is about how your time is your only true commodity and that impossible things will happen when you use your money for good and for fun.

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MTA transfer point on 6th Ave. and 2nd St.
SkEYEward by Tim Adams
In life we “see” things through our patchwork of filters—past experiences, the culture we live in, and attitudes and beliefs we have patched together. It is hard to objectively “see” situations in life. It is also difficult to understand another’s perspective. SkEYEward speaks to the need to clear our vision and see the world from an elevated or skyward point of view-go beyond and above our limited views. Looking up and looking forward changes our perception of the world and we can “see” more clearly what is often right in front of us. 
Davenport, IA
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Figge Art Museum
Basics #72 by Mathias Neumann
Educated as an architect, my work is based in a spatial practice, with a particular focus on installations in the public sphere. Over the past decade I have been engaged with a series of public interventions under the title “Basics”, exploring an abstracted notion of form, space and utility in public sculpture. Each installation is unique to its site, but all share a material language that wants to be experienced as a sculptural gesture in dialogue with its environment. Initially conceived as part of a larger museum installation, the series has since had a substantial number of iterations (70 to date) throughout the US and Europe. All installations within this ongoing work series are realized by using untreated 2x4 lumber, the most ubiquitous material in the North American context. The work is allowed to weather over time, and at the end of its installation the material is cycled back into the material stream of the everyday. I like to think of the work as temporary formations of material in transition, of material borrowed from the cycles of material consumption.

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Common Chord Plaza
Pronouns by John McNamara
My art is rooted in industrial fabrication. I have been a member of theSheet Metal Workers International Union for over twenty years. I have a bachelor’s degree in art and education. I have been teaching Welding and Metal Fabrication in our apprenticeship Program for eighteen years.I don’t limit my art to one media.  I am known as a metal worker, but I love to paint and draw and work with textiles as well.  My public work reflects my love of metal and its seeming permanence, I layout and build my pieces with age-old techniques  of pattern development and mathematics.Pronouns is a refection of this work.    

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Current Hotel Corner
Magnify by Kirk Seese
This interactive, kinetic sculpture acts as a giant magnifying glass, except sunbeams pour through the colored lens as the viewer swivels the rings into position to catch the light, casting a stained glass reflection on the ground, or anything else it hits.Made from Plasma cut 1/4” steel plate and a 1/2” thick piece of circular, clear acrylic with designs directly printed on using a large format printer, this piece is sturdy and meant to be enjoyed outdoors by the general public. Magnify instantly becomes an education tool as it demonstrates the concepts of transparency, light reflection and refraction, even the physics of mobility with its rotating top. 

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in front of 2nd St. parking garage
Everlasting by Tim Adams
Everlasting is an abstract representation of the flower which flourishes in the summer and produces vibrant color. It is resilient and hardy; able to withstand extreme heat and drought of summer. The summer growth leans into fall, but the colors never fade. The bright colors of “Everlasting” span the seasons with its petals splashed with a range of colors that bring a smile, rain, or shine, hot or cold, day or night. “Everlasting” reminds us that personal growth occurs when we experience times of “heat” and “drought” in our lives which force us to adapt and develop resilience. The strength we gain in difficult circumstances prepares us to move through the “seasons” of our lives. 

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RiverCenter south entrance
Snowbird by Tim Adams
Snowbird is a whimsical representation of the concept of the “Snowbird”. The “snowbird”, like our feathered friends, migrate from the cold northern winter temperatures to warm southern temperatures. 

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Downtown Davenport Public Library
Go Ask Alice by Anna Modeland
Inspired by Lewis Carroll’s 1865 children’s novel Alice’s Adventures in Wonderland and Jefferson Airplane’s 1967 hit song White Rabbit, Go Ask Alice is a celebration of adolescent dreams from an era defined by fantasy, whimsy, adventure, escapism, freedom and the limitless power of the imagination. With bright colors and trippy lines, Go Ask Alice adds a fun touch of life to an already beautiful nature.
Moline, IL
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Atlas Collective
DIBS by Dan Eller
DIBS, a sculpture made from 32 used Illinois traffic cones, embodies the labor and ingenuity of the Midwest’s working-class communities whose efforts helped build the cities we inhabit and visit today. While grounded in this history, the sculpture is intentionally lighthearted and playful, inviting curiosity and reflection. Through humor, scale, and material transformation, DIBS encourages viewers to reconsider the objects that shape our daily lives and the stories they carry.

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LeMekong Vietnamese
Seeing Everything by David Zahn
Creating art has always been part of my life. The human form is often the center of my work, and the abstract elements of art are just as important to me as any subject matter I may be portraying. I strive to make pieces that have a timeless quality, contain strong aesthetics, and are a mystery for the viewer. Realism can be part of my sculptures and it is often blended with other forms to create an interesting, thought provoking image. I love the idea of a relic from another time or place and the magic of things unknown. It is a purposeful twist that some of my pieces are made to look futuristic, and appear as a relic from the past at the same time. The exciting thing for me is the evolution of my work over the years. New themes and motifs arise, past ideas resurface in new ways, and the relationship with the materials grows richer and the images more personal.

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Old Moline Public Library (504 17th St.)
Infinity - Pushing Things Forward by Eoin Cullen
I begin with a word, emotion or memory – it is from those feelings that I create. I approach each piece as a journey – often starting with a figurative base but letting the piece evolve with my emotions – hoping to tell a story. The human journey is the basis for my art, including our shared history as the human race.  As my practice continues, I am exploring the use of negative space. I like the idea of illusion. It also signifies the pieces that make up a life. Influences from people, society, and experiences all come together to make up the whole, but sometimes it is just the illusion of the whole. To me, the infinity symbol stands for unstoppable momentum. A quiet, powerful reminder that progress never truly ends. It represents the belief that anything is possible when relentless dedication meets the simple discipline of putting one foot in front of the other. It’s about moving forward with intention, staying grounded in positivity, and understanding that every twist and curve along the way isn’t a setback, but a necessary part of the path toward something greater.

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Corner of 13th St. and 5th Ave.
Structure 6442 by Jon Kamrath
The name "Structure" comes from both the building-like structure itself and the scaffolding support structure below that serves as the physical representation of the various societal and personal support structures we all use in our lives. We often take for granted the permanence of things such as relationships, health, or the environment, and build elaborate structures upon them assuming their longevity and eternal support. Events such as the pandemic, health crises, or natural disasters highlight the fragility and fleeting nature of our existence. 

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Heritage Plaza
127 by Howard Russo
My public art series is driven by the sphere form and its presence in nature. The spheres range in size from gumball to boulder size. I am intrigued with repetition in nature and the images used in these sculptures allow me to create an appearance of volume without mass. The balance between positive and negative space is also a main concern in this work. My intent is for the viewer to interpret what is seen.

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Great River Trail by Kone building
Quantum Flock by Michael Young
I’ve been interested in quantum mechanics and I came across a description using MC Escher and how there was a duality of images in his work. So this piece references birds starting from one single bird dividing into two diverging flocks.
Rock Island, IL
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Rock Island Public Library SW Branch
4 Seasons by Jeremy Burdette
4 Seasons is a 48" circle divided into 4 even quadrants. Each quadrant shows a colorful picture of each of Mother Nature's beautiful seasons. Paint application is dry brushed which allows the hammer marks to still show.

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Longview Park
Pentatonic by Isaac Kidder
Pentatonic is an interactive installation featuring five colorful tone pipes arranged on a pentagon base, forming a pentatonic scale. By tapping the levers atop each pipe, viewers create music using the piano’s black-key notes (C♯/D♭, D♯/E♭, F♯/G♭, G♯/A♭, A♯/B♭). Because the pentatonic scale lacks strong tension and resolution, the sculpture invites anyone to easily create harmonious, balanced melodies.

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Five Points
Patches by Don Gaber
This life sized bottle nosed dolphin was crafted using 55 gallon drums, license plates, and miscellaneous scrap

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Corner of 14th St. and 3rd Ave.
The Feather by Kirk Seese
The Feather is my debut sculpture design, after spending four years designing themed climbing walls in the active family entertainment industry for a company called ClimbZone, and almost twenty years painting public and private murals for my own business, BB Murals.

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Downtown Rock Island Public Library
Metro and Orbit by Todd Wiling
This is a fun, happy sculpture created from scrap metal.  I love the idea of kind, helper robots.That's who Metra and Orbit are.
View 2026 Public Sculpture Map
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Statement Regarding Organizational Leadership Transition

7/2/2026

 

​For 56 years, Quad City Arts has been committed to enriching our community through accessible arts experiences while prioritizing the safety and well-being of the people we serve.

The organization recently accepted the resignation of its interim executive director. At this time, there is no indication that any Quad City Arts programs, participants, students, apprentices, or community members were involved in or affected by the alleged conduct.

The safety and trust of our community remain our highest priorities. As part of its commitment to strong governance and a safe, welcoming environment, Quad City Arts will continue to evaluate and strengthen its policies and procedures.
​
All scheduled programs, events, and services will continue as planned. As this is an ongoing matter involving private individuals and external processes, Quad City Arts will have no further comment at this time.

Jenni Swanson
Board President
Quad City Arts

New Public Mural in Downtown Aledo

6/18/2026

 
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Windborn Group and Quad City Arts Announce Artist Selected for New Public Mural in Downtown Aledo 

​The Windborn Group and Quad City Arts are pleased to announce that artist Madeline Dieters has been selected to create a new public mural on the South side of 112 E. Main St. in historic downtown Aledo. Supported by the Illinois Arts Council's America's 250th Public Art Grant, the mural is part of a statewide initiative celebrating Illinois in 2026. Quad City Arts was selected as one of only 20 Regional Arts Partners across the state to participate in the invitation-only program. Through projects like this mural, the initiative highlights Illinois' creative legacy and demonstrates how public art can strengthen communities, foster civic pride, and contribute to local economic vitality. 

At just 19 years old, Dieters already has an impressive portfolio of large-scale public artworks. She began work on the mural June 16 and is expected to complete the project in time for a public unveiling on July 3. 
The mural's design honors two influential female artists with ties to Aledo: Gertrude Abercrombie, the celebrated surrealist painter often referred to as the "Queen of the Bohemian Artists," and Doris Lee, whose paintings captured scenes of everyday American life and earned national recognition throughout the 20th century. 

"Thankful for the partnership with Quad City Arts and the State of Illinois in celebrating the history of visual arts in our community with this mural featuring two prominent Aledo artists," said W.J. Albertson, with the Windborn Group, a real estate development and community revitalization organization. 

By highlighting the accomplishments of Abercrombie and Lee, the mural celebrates the artistic contributions of Illinois women while connecting local history to a broader story of creativity and cultural impact. 
The project reflects a shared commitment by the Windborn Group, Quad City Arts and community partners to invest in public spaces that inspire civic pride, encourage cultural tourism and create meaningful connections between people and place. 

Community members are invited to watch the mural take shape over the coming weeks. The completed artwork will be unveiled on July 3 in conjunction with Aledo's Independence Day celebrations. Additional event details will be announced as plans are finalized.
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Honoring Community Through Public Art

6/10/2026

 
On a Friday afternoon, more than 100 supporters gathered at Schwiebert Riverfront Park in Rock Island to celebrate the dedication of "Come Ride With Us," a new public sculpture honoring longtime cycling advocates Dean and Deb Mathias. 
 
Designed by Orion artist and illustrator Paul Lange, the metal bicycle sculpture now stands alongside the bike path that winds through the park—a fitting tribute to two individuals whose passion for cycling helped shape the culture and connectivity of our region. 
 
While the sculpture honors Dean and Deb Mathias, it also serves as a reminder of the important role public art plays in defining a community. Public art does more than beautify a space; it reflects local values, celebrates community stories, and creates meaningful connections between people and place. Projects like "Come Ride With Us" preserve local history while strengthening community pride by recognizing the individuals whose dedication and leadership have helped shape the Quad Cities. Through works like this, public art becomes a lasting expression of our shared identity—inviting reflection, inspiring conversation, and celebrating the people and stories that make our region unique. 
 
For decades, Dean and Deb Mathias have been champions of cycling in the Quad Cities, helping build a stronger and more connected cycling community through advocacy, leadership, and volunteerism. Their efforts have encouraged people of all ages to experience the benefits of cycling while promoting safer, more accessible trails and pathways throughout the region. Dean, affectionately known as "Bareback" within the cycling community, has long been recognized as a passionate advocate and organizer, while Deb's dedication and support have made her an equally valued part of the region's cycling culture. Together, they have inspired countless riders and helped create a welcoming cycling community that continues to grow today. 

The artwork itself was designed by Orion artist and illustrator Paul Lange, whose vision for the piece was brought to life through the collaborative efforts of project partners, skilled fabricators, and community supporters, resulting in a sculpture that reflects the spirit of cycling and community connection. Through "Come Ride With Us," he translated Dean and Deb Mathias' legacy into a visual landmark that honors their contributions while inviting visitors to reflect on the importance of community, recreation, and connection. 
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Public art rarely begins with the finished piece. The development of "Come Ride With Us" included concept sketches, design revisions, site studies, and fabrication planning, all working toward a shared vision. These images highlight the collaborative process behind creating public art and the many decisions that help transform an idea into a meaningful community landmark. These process images, provided by Paul Lange, offer a glimpse into the creative development that took shape over seven months before becoming the public landmark visitors see today.
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Quad City Arts was honored to help facilitate this project under the leadership of project coordinator Dawn Wohlford-Metallo, working in collaboration with artist Paul Lange and sculptor David Zahn. Bringing a public art project from concept to installation requires collaboration, coordination, fundraising, artist engagement, and community support. Our role was to help guide that process, ensuring the vision for honoring Dean and Deb could become a lasting addition to the riverfront. 
 
At Quad City Arts, we believe public art is an essential part of a vibrant region. Whether it's a sculpture, mural, installation, or artist-designed gathering space, public art adds personality to our communities and strengthens our sense of place. It transforms ordinary spaces into destinations and tells stories that might otherwise go untold. 
 
As communities across the Quad Cities continue to invest in public spaces, Quad City Arts remains committed to helping facilitate projects that celebrate local artists, honor community leaders, and create lasting cultural assets for generations to come. 
 
We extend our congratulations to Dean and Deb Mathias, our appreciation to artists David Zahn and Paul Lange, and our gratitude to the many supporters whose contributions made "Come Ride With Us" possible. 
 
Public art has the power to tell local stories, celebrate community identity, and create spaces that people connect with for generations. Quad City Arts is proud to help facilitate projects that enrich our region through creativity and collaboration. If your community, organization, community group, or municipality is interested in exploring a public art project, we welcome the opportunity to help turn that vision into reality. From artist selection and project coordination to fundraising support and installation guidance, Quad City Arts can help navigate the process and create meaningful projects that reflect the character and stories of the communities they serve. 
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Quad City Arts Celebrates new Development Director, Krishna Smit!

5/14/2026

 
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Krishna Smit, new development Director here at Quad City Arts has been a wonderful new addition to our team! With her passion for the arts, our community, and sustainable fundraising, she is ready to help deepen our impact as an organization and enrich the quality of life in the Quad City region through the arts.

We're thrilled to have a team-player like Krishna on board. Her fresh perspective and expertise in building meaningful relationships with partners is already setting Quad City Arts up for success! Join us in giving her a warm welcome!
Are you a Quad Cities native? What brought you to the Quad Cities?
I am a Quad Cities native. I grew up in De Witt but was open enrolled in Davenport schools. I stuck around and went to Augustana for undergrad.

What is your biggest achievement/goal/moment of success to date – personal or professional? 
One of my biggest achievements has been stepping into leadership roles in the nonprofit and policy sectors and continuing to grow my impact in the community. Early in my career, I had the opportunity to work on public health and policy initiatives at both the state and national levels, across Iowa, Illinois, and California, which gave me a broad perspective on systems change and community impact. In my previous roles, I’m proud to have helped support the passage of local tobacco safety ordinances, educated community members on important public health issues, and advocated for policies that create healthier, more equitable communities. I’m also proud to have earned both my Master of Public Health (MPH) and Master of Public Administration (MPA), which continue to shape how I create meaningful change.

How did you first learn about Quad City Arts? 
I actually volunteered here when I was 16. Since then, I’ve always loved coming in to see the new art and experiencing the creativity the organization brings to the community.

What are you most excited for in your role at Quad City Arts? 
I’m most excited to build meaningful relationships across the community and help expand the impact of Quad City Arts. The opportunity to connect people to the arts while supporting programs that uplift diverse voices—especially ensuring artists from underrepresented communities are seen and supported—is incredibly energizing to me. I’m also looking forward to growing sustainable funding and partnerships that allow the organization to deepen its reach and create lasting cultural impact.
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What is your favorite arts experience in the Quad Cities? 
One of my favorite arts experiences in the Quad Cities—besides Riverssance—was the Van Gogh: The Immersive Exhibition.

What is your favorite arts experience outside of the Quad Cities?
Some of my favorite arts experiences outside the Quad Cities have been visiting Denver Art Museum, Art Institute of Chicago, Museum of Modern Art in New York, and Emami Art in Kolkata. Honestly, you can take me to any art museum, and I’m happy.
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Who is your favorite artist? (This can be any artist – visual, performing, etc.) 
It’s hard for me to choose just one, but my favorites are Rosalía, Beyoncé, BTS, Mumford & Sons, and My Chemical Romance.

What is one thing that might surprise people about you?
One thing that might surprise people about me is that I’m really afraid of sharks—which works out well since I don’t live near the ocean. That said, I also think they’re incredibly beautiful and fascinating creatures, so I admire them from a distance.

What are you currently watching on Netflix or TV?
On Apple TV I am watching The Morning Show and Shrinking

Star Wars or Star Trek?
Star Wars

Where is the best pizza?
Happy Joe's, Lo Piez, or Smash pizza

What is your favorite book? 
Two books that have really stayed with me are Eleanor & Park and The Midnight Library. I read Eleanor & Park a long time ago, but it left a lasting impression on me with its emotional depth and storytelling. More recently, The Midnight Library resonated with me because of its reflection on choices, purpose, and the different paths our lives can take.

Where is your go-to place for inspiration? 
My go-to place for inspiration is the internet, especially Instagram Reels. I love that so many people can share their stories, creative work, and experiences—from nonprofit leadership to art and community impact.

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What profession other than your own would you like to attempt? 
If I were to explore a different profession, I’d be interested in pursuing fashion or using my political science background to move into the policy side of politics. Fashion appeals to my creative side and love for self-expression, while policy work would allow me to shape meaningful change through research, writing, and advocacy. Both paths reflect my passion for influence, representation, and creating spaces where people feel seen and supported.

If you could have a drink with any artist living or dead who would it be?
If I could have a drink with any artist, it would be Hayao Miyazaki or Ayako Rokkaku. I’ve watched all of Miyazaki’s films, and both of their work—including Rokkaku’s playful use of kawaii culture—has had a huge influence on how I think about creativity and storytelling.

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Quad City Arts Awards Over $9,000 to High School Artists

4/7/2026

 
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Quad City Arts awards $9,500 to local high school students and art instructors in a ceremony that took place Thursday, April 2. Exhibit runs through April 30 and contains artwork from 15 schools from both sides of the river, 20 exhibiting instructors, and 168 student entries.

The 49th High School Art Invitational is made possible by the William Butterworth Foundation (the major sponsor of the event), The Morency Family Giving Fund, the Empeople Credit Union, the Figge Art Academy, the Rock Island Art Guild, Quad City Arts' Board Members, Bereskin Gallery, Midwest Bath Co, and additional sponsors noted for individual awards.

Quad City Arts' High School Art Invitational is a significant milestone for high school artists as it provides a platform for them to display and sell their work publicly, gain formal recognition for their creative talents, and compete for awards and scholarships. It encourages young artists to pursue careers in the arts and educates them about the process of competing for gallery shows, an essential aspect of a professional visual artist's career. Additionally, it showcases the creativity of young people to the public, underlining the importance of creative skills in problem-solving across various professions. Through these awards, young artists receive early career recognition, which can be instrumental in their future endeavors in the arts. By recognizing and encouraging young talent, we invest in the next generation of creatives in our community.
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Don't forget to come in and vote for the People's Choice Award!
View all winning award-winning entries online: quadcityarts.com/hs-invitational-2026
 
Best of Show
Lily Almanza, Figge Art Academy & Moline High School

First Place
Sherry Tang, Pleasant Valley High School

Second Place
Kate Walsh, Alleman Catholic High School

Juror’s Choice Awards for Artistic Excellence
Rose Hains, Homeschooled
Nathan Kampe​, Davenport Central High School​
Weston Libby​, Pleasant Valley High School
Lillian Prather​, Moline High School
 
Quad City Arts' Staff Picks:
Zeth Boyle​, Pleasant Valley High School
Katharine Stolley​, Davenport Central High School
 
The Rock Island Art Guild Members’ Selections
Austin Duesterhaus​, Moline High School
Addie Trees​, Pleasant Valley High School
Leam Tyler​, Pleasant Valley High School
Nickolas McConchie​, Rock Island High School
Liyah York​, Moline High School

Clifford Coussens Memorial Award 
Cajayla Crawford​, Davenport Central High School

Don Heggen Memorial Awards
Lily Roth​, Moline High School
Amanda Oosthuizen​, Davenport North High School
 
The Most Original Concept Award sponsored by Joel & Diane Franken
Sherry Tang, Pleasant Valley High School
 
The Cutting-Edge Award sponsored by Cutting Edge Productions
Karmen Fernandez​, Davenport West High School
 
Helen Doehler Memorial Award for Artistic Excellence
Madison Campbell-Baker​, Mercer County High School

Charlotte Doehler-Morrison Award 
Cajayla Crawford​, Davenport Central High School
 
Excellence in Photography Award sponsored by Jack Wilhoit
Cody Secoy​, Davenport West High School

Ralph Iaccarino Awards
Elena Diedrich​, Davenport Central High School
Carlin Petersen​, Davenport Central High School

Carlo Centore Awards for Mastery of Technique
Sol Moldt​, Figge Art Academy
Maggie Burns​, Moline High School​
 
Steve Pray Award for Mastery of Technique
Carys Ricklefs​, Davenport Central High School
Marley Shelby​, Davenport West High School
 
Zimmerman Honda Award for Mastery of Technique
Amani Miles​, Davenport Central High School
Jazmin Knapp​, Davenport West High School
Anna Holtz​, Holtz Homeschool Academy

Living Lands & Waters Award for best use of Recycled Materials
Jersey Hajostek​, Mercer County ​High School
 
Excellence Award sponsored by Midwest Bath Co
Hailey Williams​, Davenport West High School​

Amy Whiteman Memorial Awards for Portraiture
Lily Almanza​, Figge Art Academy
Rose Hains​, Homeschooled​
Weston Libby​, Pleasant Valley High School 
Carys Ricklefs​, Davenport Central High School 

Cassidy Piersall Memorial Award
Jersey Hajostek​, Mercer County ​High School

Keith Bonnstetter Memorial Award for Best Use of Paper as Medium
Bridget Driver​, Davenport West High School
Emalyn Millar​, Mercer County High School
 
W.C. Griffiths Award for Whimsical Art
Esther Barfels​, Davenport Central High School
Carlin Petersen​, Davenport Central High School
Evelyn Toher, Davenport Central High School
Vivian Wright​, Rock Island ​High School

Bereskin Gallery Awards
Taylor Fuess​, Central DeWitt High School
Amani Miles​, Davenport Central High School
Gia Punchak​, Davenport West High School
Zoey Schutte​, Davenport North High School

Awards for excellence in film sponsored by dphilms/TAG
Honorable Mention: Lilly Clayton​, Mercer County ​High School
2nd Place: Mason Millar​, Davenport West ​High School
1st Place: Spencer Andresen, Logan Simpson, Mark Graves, Lincoln Scott, Mick Palmer, Jesse DeFrieze, & Kolton Hardin, Mercer County High School

Artist of Promise Certificates sponsored by the Figge Art Academy
Lincoln Abel​, Moline High School
KaMa'lah Benefield​, Mid City High School
Gracie Green​, Central DeWitt High School
Charis Moore​, Rock Island ​High School
Amanda Oosthuizen​, Davenport North High School
Connor Schultz​, Rock Island ​High School
Wyatt Thiesen​, Moline High School
Kate Walsh​, Alleman Catholic High School

Teacher’s Awards
1st place: Pat Bereskin​, Figge Art Academy
2nd place: Tara Guidinger​, Mercer County High School
3rd place: Lisa Stisser​, Kewanee High School
 
This exhibition features the Quad Cities’ most promising artists as they express themselves through paintings, drawings, sculpture, metals, ceramics, photography, digital media, and film. 

View more photos of the event in our Facebook page linked in the post below! 
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Quad City Arts is dedicated to enriching the quality of life in the Quad City region through the arts. The organization’s dual role of presenting the arts and humanities, as well as serving as an arts resource, allows us to serve more than 350,000 people annually in the Arts Center in Rock Island and at over 200 rural and urban community sites.​

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