Since 2002, Quad City Arts has been a pivotal force in shaping the cultural and urban landscape of the Quad Cities through our Public Sculpture Program. This year, we are proud to facilitate the installation of a record 30 sculptures, reflecting our commitment to fostering cultural engagement and enhancing the urban environment. Kevin Maynard, Executive Director of Quad City Arts, shares, "The Quad City Arts Public Sculpture Program not only invigorates the community by introducing fresh perspectives but also promotes a dynamic urban landscape. Our recent Arts and Economic Prosperity Study highlights that over 80% of community members view art, including our public sculpture program, as a 'positive experience in a troubled world.' We are thrilled to see this program supported at record levels by our local municipalities, showcasing the profound impact of the arts in our community." Sculptures, chosen by committees from each city or venue, are leased for one year from talented sculptors across the nation. These artworks are available for purchase by individuals, businesses, or cities for permanent installation post-June 2025. All sculptures, both newly installed and those purchased from past exhibits, can be explored on our website at Quad City Arts Public Sculpture and on our partners' websites. The most exciting part of the process is watching a Hampton Crane operator use their boom to lift a sculpture from an artist’s vehicle, hoist it high in the air, and skillfully bring it down gently onto a concrete pad, as directed by the artist who created it. The artist will then drill holes into the concrete and secure the sculpture. (Hampton Cranes generously donates their services). The sculptures enhance numerous public spaces across the Quad Cities. For example, Rock Island is introducing sculptures to beautify two parks and two libraries. Moline's selections along 5th Ave and near the Kone Building are set to transform the cityscape, while Bettendorf focuses on drawing attention to local businesses and public spaces. Downtown Davenport enriches its collection with new pieces along 2nd Street, and the City of Clinton celebrates its new participation with wind-themed sculptures along the Mississippi River. The DeWitt Fine Arts Foundation and the DeWitt Community Library are partnering to create a sculpture garden, featuring two sculptures this year. This initiative provides a perfect opportunity for community members, art enthusiasts, and families to engage with and enjoy the transformative power of art in public spaces. We encourage everyone to share their experiences and interactions with the sculptures on social media using #QuadCityArts on Instagram or by tagging @QuadCityArts on Facebook. Below are each city's sculptures for the 2024-2025 season along with their artists' statements. Bettendorf, Iowa
Clinton, Iowa
Davenport, Iowa
Dewitt, Iowa
Moline, ILlinois
Rock Island, ILlinois
Quad City Arts has facilitated the leasing and installation of public sculptures in the Quad Cities since 2002. The City of Rock Island has participated in the program, yearly, since 2007 and Bettendorf, since 2008. Seven sculptures have become part of Rock Island’s permanent collection, while Bettendorf has added six. Davenport purchased nine sculptures in the early years of the program. Sculptures are chosen by appointed committees and leased for one year. All the sculptures are for sale and can be purchased by individuals, businesses, or a city for permanent installation after June of the following year. All sculptures currently on exhibit, along with permanent sculptures will be able to be viewed on Quad City Arts’ website www.quadcityarts.com/public-sculpture as well as the websites of the sponsors. All participating sculptors live in the midwest region. The most exciting part of the process is watching a Hampton Crane operator use their boom to lift a sculpture from an artist’s vehicle, hoist it high in the air, and skillfully bring it down gently onto a concrete pad, as directed by the artist who created it. The artist will then drill holes into the concrete and secure the sculpture. (Hampton Cranes generously donates their services). If the press would like to watch and interview artists, the best opportunity is Tuesday, June 8th beginning at 11:15 am in front of the Figge Art Museum. Nicole Beck will install a stainless steel, mosaic, and stained-glass sculpture with solar lighting that was inspired by the architecture of Frank Lloyd Wright. A crane will then move down the street, just past the Redstone Building to install a stainless-steel sculpture suggestive of feathers or leaves twisting and reaching toward the sky, by Michael Young. Next, a 15’ tall, red steel sculpture called “Wending” created by Ted Sitting Crow Gardner, will be installed in front of the parking garage at 2nd, between Ripley and Harrison. All three artists are from Chicago. As part of the Downtown Davenport Partnership’s plan to make downtown Davenport more walkable, the new sculptures provide opportunities to slow down and look at the art. Selfies are encouraged and visitors can tag #QuadCityArts to tag us on Instagram, or @QuadCityArts to tag us on Facebook. Over the next two weeks, Quad City Arts is facilitating the replacement of five public sculptures in Bettendorf, sponsored by the City of Bettendorf; four in Moline, sponsored by Moline Center; and three in Rock Island, sponsored by the City of Rock Island. Four new sculptures will be added along 2nd Ave. in Davenport, sponsored by The Downtown Davenport Partnership. Rock Island has purchased two previously rented sculptures for their permanent collection: “Moon Shadow” by Peter Gray of Chicago will be moved from Five Points to Weber Park and “Growing Up” by Ben Pierce of Cape Girardeau, MO will remain in front of the Centennial Bridge Visitor’s Center. Geneseo Public Library has purchased “Just Visiting” by Donald Horstman, of Fenton, MO to remain in the library entrance area. Complete list of sculptures with installation location: Moline:
The cultural life of the Quad-Cities is lifted in part by public art that is on permanent and temporary display throughout Davenport, Bettendorf, and Rock Island, thanks to Quad City Arts’ public sculpture program. In June, six public sculptures in Bettendorf and four in Rock Island were replaced with new ones, featuring colorful, creative and whimsical work from artists throughout the Midwest. Each city chose to keep one sculpture from last year’s selection for another year. Quad City Arts has facilitated the leasing and installation of public sculpture in the area since 2002, starting with the city of Davenport – which now has nine outdoor sculptures on permanent display (find the locations on our website under Public Sculpture Program). The city of Rock Island has participated in the program every year since 2007 and Bettendorf, since 2008. For the first time, Renew Moline will join the effort, in sponsoring sculptures. Arriving on the riverfront near 15th Street this week will be “Swans On the Marsh” by V. Skip Willits of Camanche, Iowa. “I was walking along the shore of a marsh by the river one day and spied three swans on the water. This is my rendition of that scene,” the sculptor said. Arriving June 29 outside of the new Kone building near Bass Street Landing in Moline will be “Metamorphosis” by Hilde DeBruyne of Cumming, Iowa. She describes her piece as an “organic, contemporary, streamlined sculpture in steel. It refers to the Metamorphosis of butterflies. “Butterflies are a symbol of transformation, because of their impressive process of metamorphosis,” she said. “By observing butterflies, we can relate to our own lives: Each of us transforms through multiple stages in our life: moments of growing pains, times of hunger and vulnerability followed by moments of tremendous energy, growth, wonder and amazement.” All of the sculptures are for sale and can be purchased by individuals, businesses or the city for permanent installation after June of the following year. “When people see art in a community, they know that the city leaders value culture and they take pride in their community,” Dawn Wohlford-Metallo, Quad City Arts’ visual arts director, said. “When sculpture is around, or murals, or other kids of amenities, people feel good about their surroundings and then they want to live there." And the sculptures are very popular sites for people to take selfies, she noted. The sculptures are leased and on public display for a one-year period (each artist gets a $1,200 stipend), at which point they may be purchased for permanent installation or be replaced with new sculpture. In 2019, we coordinated the installation of 12 sculptures with the financial support of Rock Island and Bettendorf, Rock Island Parks & Recreation, Bettendorf Library Foundation and Ascentra Credit Union, showing their commitment to the cultural and artistic vitality of our community. Courtney Lyon of Ballet Quad Cities loves “Growing Up” – at the foot of the Centennial Bridge in Rock Island, created by Ben Pierce, 36, of Cape Girardeau. Mo. It was installed at the visitor’s center in Rock Island last year and will remain for another year. “I see it every day when I drive into Rock Island for work,” said Lyon, artistic director of the ballet company. “Even though my mind is typically already busy with what will be happening during the day, I always notice the sculpture. I instantly recognize that my car is crossing an area where civilization abruptly meets nature. It snaps me out of my ‘work’ brain and it makes me blink and look around and come into the present. “The sculpture stands strong and tall, circles filled with bricks, triangles filled with blue. I think about the artist and their choice of putting the blue water in the angular container, and the red bricks in the smooth container,” she said. “ It seems so simple that by switching what seems natural, something that could have been normal and expected becomes unique and unforgettable. Would I have thought to do that? “I realize that I just crossed over the Mighty Mississippi. Even though we built a bridge to cross it, and flood walls to protect us, the river is far more powerful than we are,” Lyon said. “Delightfully, the blue of the sculpture pops! Sometimes it is the brightest thing around as I come off the bridge if the skies are grey, the water flat, the trees bare.” The sculpture pays homage to Pierce’s family history and lineage of bricklayers. “My father is a 3rd-generation bricklayer and I spent a lot of time as a kid on the jobsite,” he recalled. “I would play in sand piles that were used to mix with the Portland cement and water to make the mortar. I remember climbing up on the scaffolding and watching my dad as he laid bricks. Using or mimicking a plant-like form, to show growth. “Placing the bricks inside a circular shape on a form that is largely angular highlights the brick to showcase their value. As the form grows, the bricks are an integral part -- just like in my own growth and childhood,” Pierce said. While there are very few Q-C artists that do large sculptures, one is featured this year – Moline’s David Zahn, whose “Time Passes” is at Build to Suit on Bettendorf’s State Street, near the Waterfront Convention Center. “The human form has always been a major element in my work,” he said. “Integrating images of people and blending them with abstract forms has been a long-lasting direction in my art. I strive to create a feeling of timelessness and a strong emotional element in each piece.” A 57-year-old native of Norridge, Ill. (outside Chicago), Zahn has taught pottery and sculpture at Moline High School, and has made work that is nationally known and collected publicly and privately. He’s had bronze sculptures commissioned by Deere & Company, Scott County and the North Scott School District. His sculptures include a large bronze of John Deere -- behind John Deere Seeding in Moline, near the entrance to Sylvan Island Park -- done in 2012 to commemorate the 175th anniversary of the company; and bronzes in front of the Scott County Administration Building in Davenport and North Scott High School and Junior High in Eldridge, Iowa. “Creating a realistic portrait, or a one-of-a-kind artwork for a specific purpose is always an exciting endeavor for me,” Zahn said on his website, dzahnsculpture.com. “I also like to have a bit of mystery in my art, so don’t be surprised if you can’t figure out exactly what is going on. My work is imaginative, thought provoking, and surrealistic at times, so the viewer has to make some of their own conclusions.” Near Zahn’s work, on the plaza at the Waterfront Convention Center (2021 State St.), you can see “Talk, Talk, Smile” by Leslie Bruning of Omaha, Neb. The artist described it as a conversation that determines quality of life on a neighborhood street. Neighbors need to converse with each other, and they can be most effective if they do it with a smile on their face. The perforated steel creates a translucent quality that brings the faces and words in and out of focus and allows the viewers to see each other through the sculpture. This encourages a sense of shared space on the street. The meaning of this sculpture has never been more important. Other Bettendorf pieces include:
Rock Island public art includes:
Hampton Cranes of Bettendorf donated its time and services to install the public sculptures again, which can cost up to $30,000 each to purchase. This year’s funders for the program are the City of Bettendorf, Bettendorf Library Foundation, City of Rock Island, Rock Island Parks and Recreation, and Renew Moline. The next call for entries from artists will be February 2021. Quad City Arts has also launched a new video segment called "7 WITH KEVIN LIVE!", where the director, Kevin Maynard, interviews a variety of artists that are in some way connected to Quad City Arts. Their latest episode highlights two sculpture artists whose work has been installed in the Quad Cities. Mr. Maynard also mentioned the ability to view all sculpture on their website along with driving directions on their Public Sculpture Program webpage. |
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